Collective Fatigue

July 5 – September 5 2024

OPENING

05 July 2024

PRESS                           12H30

PUBLIC                    18H – 21H

PERFORMANCE              20H

COLLECTIVE   EXHIBTION

© Héloïse Bonin

From July 5th to September 5th, 2024

Mémoire de l’Avenir (MDA)/Humanities, Arts and Society (HAS)

will bring together artists from various horizons, from all media and forme of expressions, to create a trans-disciplinary exhibition to explore the theme:

En tant que phénomène social, culturel, économique, politique et individuel dans nos sociétés.

Guest curator – Liwei XU, art history researcher

Guest Curator: Liwei XU, researcher in Art History

In Situ Curator: Margalit BERRIET, Founding President of Mémoire de l’Avenir

ABOUT

If you can dream – and not make dreams your master
If you can think – and not make thoughts your aim
If you can meet with Triumph and Disaster
And treat those two impostors just the same
If, Rudyard Kipling – Full Version here

Fatigue is not simply an isolated personal feeling. Over the past decades, fatigue has become a subject of research as a social, cultural, and scientific issue.

The modern Olympic Games show humanity’s aspiration to infinitely surpass its own physical and emotional limits.

The idea of progress and performance was invented in sports from the 18th century on-wards. Since the second half of the 20th century, in a society where human performance is measured by work and excellency, everyone must face an overload and acceleration of doings for increased performance, resulting in constant physical fatigue.

Can the state of tirdness be fundemental to Beings?

The exhibition “Spring Out Of Tirdness” invites artists to question the fatigue and our individual or collective doings, as a shared human condition and to take a new look at what shapes it and what it generates.

FREE
admission

05 07 2024

PRESS 12H30

PUBLIC 7PM-9PM

8PM

Thursday – Saturday
13AM-7PM

BY APPOINTMENT

Group visites
for adults or youth
&
Students

also avialble via
Pass Culture here

Héloïse Bonin

French artist born in 1979, Héloïse Bonin lives and works in the Limousin region. She studied at the School of Applied Arts in La Souterraine, Creuse, and then at the National School of Decorative Arts in Limoges, Haute-Vienne. She practiced art therapy for many years in hospitals (oncology department, Alzheimer’s, EPHAD) and then in a Closed Educational Center in Corrèze (working with adolescents under Judicial Youth Protection).

All these human and sensitive experiences nourish his pictorial work.


Heloise Bonin

RONI BEN ARI

Roni Ben Ari, Israel, is a multidisciplinary freelance photographer. As an artist, my works are characterized by long-term social studies in which the human landscape is the common thread. The subjects of my projects are international. In every country on the globe, you can meet an old man, homeless people, minorities, gypsies, prostitutes, wars, and much more. For three years, I followed the Ethiopian community that failed to integrate into our country, and therefore chose to live in a “ghetto” among themselves.

“Each time a woman stands up for herself, without knowing it possibly, without claiming it, she stands up for all women.” ― Maya Angelou


© Peter Brandt

PETER BRANDT

Peter Brandt(DK, 1966) is a Danish visual artist educated at the Royal Danish Academy of Fine Arts in Copenhagen and the Royal Institute of Arts in Stockholm. In his practice, he makes use of feminist strategies, trauma theory, his own body and often refers to other artists. In 2020, the book No Safe Place was published by Really Simple Syndication Press and he received the Danish Arts Foundation 3-year work grant in the same year. Brandt lives and works in Copenhagen.


© Ana Isabel Freitas

ANA ISABEL FREITAS

A Portuguese artist living in Paris since 2015, Ana Isabel Freitas works on themes such as memory, traditions, places, and the people who live there both in painting and in documentary cinema. She paints “contemplative human landscapes” in which emotions are expressed through colors and texture of the supports that she chooses and manipulates with sewing and embroidery, to create textures, lines and subtle details that enrich the painting and fix the gaze. Every construction leaves a trace, every trace is construction.


©Jeon Ji-hye

JEON JI-HYE

Jeon Ji-hye est née en Corée du Sud en 1999. Après avoir vécu toute sa vie à Séoul, elle a passé une année en Australie et vit en France depuis deux ans. Elle est actuellement étudiante à l’École Supérieure d’Art Annecy Alpes (ESAAA). Au cours de sa première année, elle a voulu expérimenter des matériaux qu’elle n’avait jamais utilisés auparavant, tels que le moulage, le métal, la performance, la gravure et la photographie. Cependant, elle trouve toujours la peinture la plus captivante et explore comment la rendre plus dynamique et active.


© Giovanna Magri

GIOVANNA MAGRI

Giovanna Magri is a photographer, professor and coordinator of the photography department at the Academy of Fine Arts in Brescia. She has carried out important projects for the Montorio prison in Verona and has developed new photography workshops using a unique approach to the world of the image. As an author and researcher, she studies the history of art and the language of the great masters. Her work has always been oriented towards social and anthropological research, even before expressing itself through the photographic portrait. With great sensitivity, she connects with humanity, becoming part of it and trying to capture its most intrinsic aspects. Her works have been exhibited in the United States, Argentina and Europe, in private galleries and public institutions. She has enjoyed critical success, and her works are part of important national and international collections.


©Marilena Pisciella

MARILENA PISCIELLA

Née à Winterthour en 1963, elle a grandi à Pescara et s’est formée à Rome et Milan. Actuellement, elle vit et travaille à Côme. Psychothérapeute d’orientation psychanalytique, elle est animatrice de The Self-Portrait Experience, un dispositif créé par l’artiste internationale Cristina Nunez. En 2017, après un diagnostic de cancer, elle explore la dysmorphie corporelle, la douleur et la recherche de la palingénésie. Elle crée la trilogie UNCANNY : film, vidéo, et livre photo Butterfly Blues, mêlant art et science, ainsi que les paradigmes des Humanités de la Santé et de la Photographie/Vidéo-Art-Thérapie. Grâce à ses recherches originales sur l’autobiographie visuelle, elle a remporté de nombreux prix nationaux et internationaux.


©Izumi Ueda Yuu

IZUMI UEDA YUU

Izumi Ueda Yuu est une artiste visuelle d’origine japonaise qui vit et travaille à Lisbonne. Yuu continue de créer des œuvres sur papier qui représentent métaphoriquement des images qui nous entourent dans notre vie quotidienne. Elle a été finaliste du Luxembourg Art Prize en 2019 et a présenté des expositions personnelles au Museu do Oriente et à la Sociedade Nacional de Belas Artes, tous deux à Lisbonne. Elle a reçu à deux reprises la bourse du Maryland State Arts Council pour les artistes individuels et a été artiste en résidence à la Fondation OBRAS (Portugal), à l’OBRAS-Hollande, à l’Atelier Outotsu (Osaka) et à l’Awagami Factory (Yoshinogawa).


ARTISTS

© SKAI LI

© VINCENT LEFEBVRE

Vincent LEFEBVRE
TEXT & BODY – PERFORMANCE 

…donner corps et voix aux mots recueillis au gré de diverses personnes plus ou moins proches, qui ont pu jaillir spontanément sur le papier après leur avoir demandé tout tout ce qui leur venait en tête à l’évocation du mot ‘fatigue’ en 2mn chrono

SIKAI LI

ACOUSMATIC PIECE, Concept by Sikai LI

+

Guitar : Sikai Li

Voice: Dorian Campagne 

Violin: Tiona Andrianaivomananjaona 

La pluie retardée symbolise le retard naturel entre la précipita on et son arrivée sur nos vies, reflétant ainsi les périodes d’a ente, de doute et de contemplation

En collaboration avec AZILIZ de VULPILLIERES, qui a écrit un texte
sur la pluie, l’attente et le retard, le processus de création s’est déroulé de manière asynchrone.

The piece juxtaposes movement and stillness, with the rain as a dynamic backdrop, providing moments of tension, calm and revelation.

VINCENT LEFEBVRE

Alongside his craft and creativity, Vincent explores the many facets of live performance.

In the 90s, he developed the character of Pétunia, a drag queen who criss-crossed the alternative Parisian nightlife scene.

Always in search of movement, he later explored contemporary dance with Aurélia Jarry, influenced by the legacy of Pina Bausch, as well as various forms of theater and corporal expression. Currently working with a performance group from the Belacqua workshops in the 19th arrondissement, led by Gauthier Ployette, he is deepening his quest for authenticity and reappropriation of the body.

+ ABOUT +

SIKAI LI

After studying in China, Sikai LI pursued his passion for art and music in France, where he composes and improvises on guitar. A graduate of the Beaux-Arts in Marseille, he also discovered electroacoustic music.

His digital creations led him to a residency at The Camp in Aix-en-Provence, under the direction of Éric Viennot, where he explored sound art and technology with international creatives.

Settling in Paris, he joined the electroacoustic composition class at the CRR de Paris with Paul Ramage and Jonathan Prager, while developing his guitar improvisation with Philippe Pannier. His composition and improvisation practice has taken him to such diverse venues as Festival Futura, Le Cube, Mains d’OEuvre, Petit Palais and La Muse en Circuit, among others.

TIONA ANDRIANAIVOMANANJAONA

TIONA ANDRIANAIVOMANANJAONA

A student of Josette Roux-Marchesini, former first violin of the Paris Orchestra, Tiona Andrianaivomananjaona also studied with Michel Marchesini and Véronique Marin in chamber music. She graduated from the ENM du Raincy in classical violin and chamber music.

Over time, she developed an interest in baroque violin and musical and theatrical improvisation. In 2023, she joined Philippe Pannier’s free improvisation class at CRR 93 in Aubervilliers/La Courneuve, discovering a creative space blending various performing arts disciplines. She also attended theatrical improvisation workshops with the LIFI (Ligue Française d’Improvisation).

Tiona Andrianaivomananjaona is a member of the Musical


Dorian Campagne

Dorian Campagne

Born in Paris in 2003, Dorian Campagne is an actor. He trained in theater at the Lycée Montaigne with the troupe of Emmanuel Demarcy-Mota and the Cie Louis Brouillard (Joël Pommerat) and studied classical piano at the Schola Cantorum.

He studied at the W.A. Mozart Municipal Conservatory, working with Hugues Badet and Alain Gintzburger. He then joined the Nouveau Studio d’Anières, learning from Sabrina Baldassarra, Valérie Castel-Jordy, Flora Chéreau, David Eguren, and Sylvain Levitte. He continued his training at CRR 93 Jack Ralite with Laurence Causse and Philippe Pannier.

Dorian has performed in Nema by Koffi Kwahulé, Chroniques du jour d’après, and  Auberlywood: La vie telle qu’elle se représente en rêve. He participated in readings at the SACD and Festival America in Vincennes.

Recently, he acted alongside Jean-Damien Barbin in À la Lisière de la Forêt, directed by Barbara Hutt.

July 25 2024

19H30

© Giovanna Magri

Spring out of Tiredness

3 Facets of artistic creation

GUESTS

1.   Maëva SOUDRILLE

speaker for the Centre Pompidou and the Musée Picasso

Piccaso, L’Aubade, 04 mai 1942

Maëva SOUDRILLE

Presentation

Maëva SOUDRILLE offers a thematic and in-depth reading of the arts around themes of society and collective fatigue.

How can we represent fatigue?

With a creative game, with the public, Maëva Soudrille will offer an in-depth reading of three paintings by avant-garde artists who are emblematic of the history of modern art, on the theme of fatigue.

Biography

Maëva Soudrille is an experienced and passionate tour guide. She works at the Centre Pompidou and the Musée Picasso. She studied art history and philosophy at the Université Panthéon-Sorbonne. She leads educational workshops for all ages.

&

2. Yanling LUO,
PhD candidate in philosophy at the University of Paris I Panthéon-Sorbonne

Yanling LUO

Présentation

Quel est le rôle du processus de répétition dans la création artistique ?  Pourquoi a-t-on tendance à répéter les expériences désagréables au lieu de les éviter ? La question se pose tant du point de vue épistémologique que psychologique dans les théories postmodernes. Nous allons essayer de rassembler quelques mots-clés qui nous permettront une mise en perspective de la conception de « répétition » dans la psychanalyse, et éventuellement d’en dégager les ressources conceptuelles pour les analyses des œuvres d’art.

Biographie

Yanling LUO est doctorante en philosophie à Paris 1 Panthéon-Sorbonne. Ses études portent sur la philosophie chinoise tant classique que contemporaine et visent à démontrer la façon dont les philosophes tentent de la comprendre et de l’interpréter dans une perspective métaphysique.  Sa recherche s’inscrit dans une problématique plus ample concernant le lien intrinsèque entre la métaphysique et l’esthétique qui interroge le sens de la créativité et de l’homme. Elle a publié plusieurs articles en esthétique et en métaphysique et a traduit un livre Le Pouvoir Esthétique (Baldine Saint Girons, Editions Manucius) en chinois.

Article

LUO, Y. 2024 (74e année) « L’appropriation du positivisme logique et la question métaphysique chez Feng Youlan 馮友蘭 », L’Enseignement philosophique (2), pages 73 à 85. Disponible ICI 

&

3. Tawfiq NIZAMIDIN
film director

2019, Corée du Sud, 38 minutes, version originale sous-titrée

MARIA BY THE SEA – Scène

Présentation

Dans un restaurant à Séoul, le professeur Jung explique à son rendez-vous, Enju Lee, la raison de son retard. Alors qu’il lui achetait un cadeau, il a rencontré son ancienne étudiante ouïghoure, Maria. Une étude fascinante sur les interactions humaines se déroule à mesure que leur rendez-vous progresse à l’écran.

Biographie

Tawfiq Nizamidin est né à Urumchi en 1991 et il est l’un des réalisateurs ouïghours qui a attiré l’attention internationale. Il réside en France depuis 2020. Son court-métrage “The Night of Arzu” a été nommé pour la compétition de courts-métrages lors de la 54e cérémonie des Golden Horse Awards, et son court-métrage “Maria by the Sea” a été projeté au Festival du film de Rotterdam et au Festival du film de Busan en 2019. En 2023, son premier court-métrage en langue française “Un après-midi avec Berti” a été projeté au Golden Horse Film Festival.

MARIA BY THE SEA, scène

Affiche, MARIA BY THE SEA