{"id":5658,"date":"2024-11-19T10:36:26","date_gmt":"2024-11-19T10:36:26","guid":{"rendered":"https:\/\/preprod.gmindia.tech\/mda\/en\/?post_type=exhibition&#038;p=5658"},"modified":"2024-11-26T13:36:47","modified_gmt":"2024-11-26T13:36:47","slug":"crbst_303_en","status":"publish","type":"exhibition","link":"https:\/\/preprod.gmindia.tech\/mda\/en\/crbst_303_en\/","title":{"rendered":"Itinerary"},"content":{"rendered":"\n<div class=\"wp-block-buttons eplus-wrapper is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"is-style-outline wp-block-button has-custom-width wp-block-button__width-50 has-custom-font-size eplus-wrapper is-style-outline--1\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.568), 19px);\"><a class=\"wp-block-button__link has-text-color has-link-color wp-element-button\" href=\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/02\/20DEF_20012024_V8_2BAK_ED_FR_20_26_20ENG_CATALOGUE_MOBILITY_.pdf\" style=\"border-width:1px;border-radius:0px;color:#080808\" target=\"_blank\" rel=\"noreferrer noopener\">THE CATALOGUE<gwmw style=\"display:none;\"><\/gwmw><gwmw style=\"display:none;\"><\/gwmw><gwmw style=\"display:none;\"><\/gwmw><gwmw style=\"display:none;\"><\/gwmw><\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons eplus-wrapper is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"is-style-outline wp-block-button has-custom-font-size eplus-wrapper is-style-outline--2\" style=\"font-size:13px\"><a class=\"wp-block-button__link has-text-color has-link-color wp-element-button\" href=\"https:\/\/preprod.gmindia.tech\/mda\/en\/wp-content\/uploads\/sites\/2\/2024\/02\/05012024_Pages_20-_20CHRISTOPHE_20GAY_CATALOGUE_20MOBILITY.pdf\" style=\"border-width:1px;border-radius:0px;color:#080808\" target=\"_blank\" rel=\"noreferrer noopener\">ENTRE IMMOBILITE SUBIE ET MOBILITE EFFRENEE &#8211; CHRISTOPE GAY<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons eplus-wrapper is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"is-style-outline wp-block-button has-custom-width wp-block-button__width-75 has-custom-font-size eplus-wrapper is-style-outline--3\" style=\"font-size:13px\"><a class=\"wp-block-button__link has-text-color has-link-color wp-element-button\" href=\"https:\/\/preprod.gmindia.tech\/mda\/en\/wp-content\/uploads\/sites\/2\/2024\/02\/15112023__20DEF_FR_2B_20ENG_20V_20MOBILITY_202_20_20-1.pdf\" style=\"border-width:1px;border-radius:0px;color:#080808\" target=\"_blank\" rel=\"noreferrer noopener\">ITINERAIRE &#8211; MARGALIT BERRIET<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons eplus-wrapper is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"is-style-outline wp-block-button has-custom-width wp-block-button__width-75 has-custom-font-size eplus-wrapper is-style-outline--4\" style=\"font-size:13px\"><a href=\"https:\/\/vimeo.com\/manage\/videos\/915985869\" target=\"_blank\" style=\"border-width:1px;border-radius:0px;color:#080808\" target=\"_blank\" rel=\"noreferrer noopener\">INTERVIEW &#8211; PHILEMON BARBIER<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-verdana-font-family eplus-wrapper wp-elements-ff00934d3292943640181618e187f734\" style=\"color:#c6771b;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.682), 20px);\"><strong>Phil\u00e9mon Barbier<\/strong><\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Born in 2000 and passionate about photography and history since childhood, Phil\u00e9mon Barbier, through his photographic work, aims to cast a new perspective on the changing world. He works across various temporal scales, from current events to long-term subjects, thereby offering a more in-depth documentary view, characterized by the journalistic rigor and sensitivity required for accurate portrayal.<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">By shedding light on the human aspect, his photos narrate the lives of individuals, their social context, intimacy, history, perspective, emotions, and more. His goal is to evoke diverse viewpoints on the world around us and its underlying dynamics. His approach leans towards an artistic style of photography, allowing for multiple interpretations. He uses this approach to tell the stories of the people he encounters, drawing inspiration from contemporary current events.<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">His work has been featured in various media outlets such as Le Monde, l\u2019Obs, le P\u00e8lerin, le JDD, La Croix l\u2019Hebdo, Courrier International, Mediapart, among others. Phil\u00e9mon Barbier is also a member of the SNJ (National Union of Journalists).<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Having completed his training in photojournalism at EMI-CFD under the guidance of Julien Daniel and Guillaume Herbaut in 2020, he co-founded the Hors Format collective.<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">In 2022, he was awarded the Grande commande nationale de la BNF (National Library of France) and the Grant for New Urban Photography supported by Google and Dysturb at Visa pour l\u2019Image. In 2023, he received the grant for contemporary documentary photography from CNAP (National Center for Visual Arts).<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Phil\u00e9mon Barbier<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-verdana-font-family eplus-wrapper wp-elements-9543778682110b71e0c0ca0a260d5337\" style=\"color:#0003ff;margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><a href=\"http:\/\/www.philemonbarbier.com\" target=\"_blank\" target=\"_blank\" rel=\"noreferrer noopener\">www.philemonbarbier.com<\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-verdana-font-family eplus-wrapper wp-elements-e9382167014b11ae994006b6d37b93fe\" style=\"color:#921f18;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.682), 20px);\"><strong>Le Forum Vies Mobiles<\/strong><\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Forum Vies Mobiles is the mobility think tank supported by SNCF, founded by Guillaume Pepy at the instigation of Bernard Emsellem.<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Its work focuses on lifestyles and the way in which travel structures their deployment and rhythms, and enables us to organize our activities (work, leisure, consumption, etc.). He studies the impact on individuals, families, health, the territory and the environment,<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><a href=\"https:\/\/forumviesmobiles.org\/\" target=\"_blank\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#921f18\" class=\"has-inline-color\"><strong>www.forumviesmobiles.org<\/strong><\/mark><\/a><\/p>\n\n\n\n<hr class=\"is-style-wide wp-block-separator has-text-color has-alpha-channel-opacity has-background eplus-wrapper\" style=\"background-color:#c6771b;color:#c6771b\"\/>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family has-large-font-size eplus-wrapper\"><strong>3 SOIREE NOCTURE&nbsp;<br>Conf\u00e9rences<\/strong><\/p>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\">@<\/p>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\">Espace M\u00e9moire de l&#8217;Avenir<br>45\/47 rue Ramponeau, 75020 Paris<\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-link-color has-verdana-font-family has-large-font-size eplus-wrapper wp-elements-05ffc8d20d77637b23a77b7a40896cd3\" style=\"color:#c6771b\"><strong>18H30-20H<\/strong><\/p>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><strong>january 30, 2024<br><\/strong><em>Bicycle delivery drivers and migration:<br>what stories and what impact?<\/em><\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Photography, comics and journalism each use their own means to portray the situation of migrants and bicycle delivery drivers. What are the constraints, specificities and objectives of their approaches? How can these approaches be compared? What do they give us to see, understand or feel? And to what effect?<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">With,<br><strong>Phil\u00e9mon Barbier<\/strong> Co-founder of Collectif Hors Format, Phil\u00e9mon Barbier is the exhibition photographer.<br><strong>Cosmin Popan<\/strong> Post-doctoral fellow at Grenoble Alpes University, an interdisciplinary researcher whose work focuses on migratory mobilities,&nbsp; &nbsp;&nbsp;<strong><a href=\"https:\/\/forumviesmobiles.org\/evenements\/15974\/livreurs-velo-et-migration-quels-recits-pour-quels-impacts\" target=\"_blank\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#002eff\" class=\"has-inline-color\">+ D&#8217;INFO<\/mark><\/a><\/strong><\/p>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><strong>February 22, 2024<br><\/strong><em>How is the work of bicycle delivery drivers evolving?<br>What measures can be taken to protect them?<\/em><\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">The rapid deployment of delivery platforms such as Uber Eats or Deliveroo has given rise to new workers with an ambiguous status. Working conditions and pay for bike delivery drivers have become progressively tougher, and it is very often undocumented workers who hold these jobs. As public opinion and public authorities become increasingly aware of this situation, how does their exploitation continue, and what measures are being taken in Europe and France to deal with it?<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">With:<br><strong>Ludovic Rioux<\/strong>, member of the Executive Committee of the CGT federation of transport, <br><strong>Olivier Jacquin<\/strong> senator. (PS-<strong>S<\/strong>ocialist <strong>P<\/strong>arty)<\/p>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><strong>March 21, 2024<\/strong><div><span style=\"font-family: Verdana; font-size: 23px; font-weight: bold;\"><\/span><\/div>What future for migration<br><em>in an era  of climate change?<\/em><\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">With the effects of climate change, to which Europe has largely contributed, the question of future migration is being raised more than ever. What is the reality of migration-related mobility in the world today, and what will it look like in 2050? What alternative policies should be developed as a result? Catherine Wihtol de Wenden, specialist in international migration and Director of Research Emeritus at the CNRS, will take us back over the history of migration and our perceptions of it. It&#8217;s also an opportunity to discover the avenues she has mapped out for the future with her latest book, Figures de l&#8217;Autre &#8211; Perceptions du migrant en France 1870-2022.<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">With<br><strong>Catherine whitol de Wenden,<\/strong><br>A specialist in international migration, she is Director of Research Emeritus at the CNRS and teaches at the Institut d&#8217;\u00e9tudes politiques de Paris<strong>,&nbsp;<\/strong><a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSfkRgkmcXghjoqOPLn7kTcL1b_En95j7eA20XH0OoBROvhEzg\/viewform\" target=\"_blank\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#c6771b\" class=\"has-inline-color\">TO SUBSCRIBE<\/mark><\/strong><\/a><\/p>\n\n\n\n<hr class=\"is-style-wide wp-block-separator has-text-color has-alpha-channel-opacity has-background eplus-wrapper\" style=\"background-color:#c6771b;color:#c6771b\"\/>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family has-medium-font-size eplus-wrapper\"><strong>PERFORMANCE &#8211; 18 01 2024<br>COMPANIE DAYMA<\/strong><\/p>\n\n\n\n<figure class=\" wp-block-image aligncenter size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"513\" src=\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/01\/M_C3_A9moriElles.jpg\" alt=\"\" class=\"wp-image-185\"\/><\/figure>\n\n\n\n<p class=\" has-text-align-center has-verdana-font-family eplus-wrapper\" style=\"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;font-size:14px\">\u00a9 Solea Traore<\/p>\n\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><strong>Alexia Traore<\/strong>: Dance, Texts, Percussion<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Dancer, visual artist, author and multidisciplinary,<br>Alexia Traore explore the (women) body, its history and its environment to support her research. Her work questions movement, intimate and collective memory, the complexity of women&#8217;s experience, and our relationship with consumption and sustainability. Founder of Compagnie Dayma.<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-verdana-font-family eplus-wrapper wp-elements-8e53c96dc6e647ea5a8543aa29efa47b\" style=\"color:#0004fa;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><a href=\"https:\/\/www.alexiatraore.com\/\" target=\"_blank\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>www.alexiatraore.com<\/strong><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><strong>Nadia Ammour<\/strong> : Singing, Texts, Percussion<\/p>\n\n\n\n<p class=\" has-verdana-font-family eplus-wrapper\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\">Nadia Ammour&#8217;s passion for artistic expression is increasingly rooted in the encounters she makes on her journeys. Devoted to talks with Kabyle women, she and her sisters founded a trio that performs ancient Kabyle songs handed down by their late mother. The Tighri Uzar trio bears witness to the History with a capital H of the Kabylie region.<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-verdana-font-family eplus-wrapper wp-elements-f122958bb80fd36ca35b32a0bbc5471f\" style=\"color:#0000f8;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><a href=\"https:\/\/www.festivalchantsdelles.org\/Tighri-Uzar\" target=\"_blank\"><strong>Tighri-Uzar<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons eplus-wrapper is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"is-style-outline wp-block-button has-custom-width wp-block-button__width-50 has-custom-font-size has-verdana-font-family eplus-wrapper is-style-outline--5\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.568), 19px);\"><a class=\"wp-block-button__link has-text-color has-link-color wp-element-button\" href=\"https:\/\/preprod.gmindia.tech\/mda\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/M_C3_A9moriElles.pdf\" style=\"border-width:1px;border-radius:5px;color:#080808;padding-top:5px;padding-right:5px;padding-bottom:5px;padding-left:5px\" target=\"_blank\" rel=\"noreferrer noopener\">M\u00e9moriElles<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Phil\u00e9mon Barbier Born in 2000 and passionate about photography and history since childhood, Phil\u00e9mon Barbier, through his photographic work, aims to cast a new perspective on the changing world. He works across various temporal scales, from current events to long-term subjects, thereby offering a more in-depth documentary view, characterized by the journalistic rigor and sensitivity [&hellip;]<\/p>\n","protected":false},"featured_media":5659,"comment_status":"closed","ping_status":"closed","template":"exhibition-template","meta":[],"exhibition_category":[40,24],"class_list":["post-5658","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition_category-crbst_305_en","exhibition_category-previous-exhibition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Itinerary - Memory of the Future<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/preprod.gmindia.tech\/mda\/en\/crbst_303_en\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Itinerary - Memory of the Future\" \/>\n<meta property=\"og:description\" content=\"Phil\u00e9mon Barbier Born in 2000 and passionate about photography and history since childhood, Phil\u00e9mon Barbier, through his photographic work, aims to cast a new perspective on the changing world. 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