{"id":6387,"date":"2025-06-17T16:48:12","date_gmt":"2025-06-17T16:48:12","guid":{"rendered":"https:\/\/preprod.gmindia.tech\/mda\/en\/?post_type=exhibition&p=6387"},"modified":"2025-08-06T06:12:05","modified_gmt":"2025-08-06T06:12:05","slug":"crbst_310_en","status":"publish","type":"exhibition","link":"https:\/\/preprod.gmindia.tech\/mda\/en\/crbst_310_en\/","title":{"rendered":"HORS DOGMA"},"content":{"rendered":"\n
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<\/div>\n\n\n\n

M\u00e9moire de l’Avenir<\/strong> is a non-political, non-religious organization<\/p>\n\n\n\n

that uses arts, cultures, and heritage as tools for dialogue.<\/p>\n\n\n\n

In keeping with its ethical charter<\/a>, it welcomes the Hors Dogma exhibition<\/p>\n\n\n\n

as a space for open, respectful, and meaningful exchange.<\/p>\n\n\n\n

By moving beyond stereotypes and prejudices, intercultural dialogue<\/p>\n\n\n\n

fosters a deeper understanding of diverse worldviews and helps build harmonious coexistence<\/p>\n\n\n\n

<\/div>\n<\/div>\n\n\n
HORS DOGMA<\/h5>\n\n\n

MAY 23  – JUNE 22 2025<\/p>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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FREE<\/p>\n\n\n\n

ADMISSION<\/p>\n\n\n\n

<\/div>\n\n\n\n

OPENING<\/p>\n\n\n\n

23 May 2025<\/p>\n\n\n\n

<\/div>\n\n\n\n

PRESS<\/p>\n\n\n\n

12H30<\/p>\n\n\n\n


PUBLIC<\/p>\n\n\n\n

19PM-9PM<\/p>\n\n\n\n

MEETINGS<\/p>\n\n\n\n

+ PERFORMANCE<\/p>\n\n\n\n

20H – 21HPM<\/p>\n\n\n\n

<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

OPEN TO THE PUBLIC<\/strong><\/p>\n\n\n\n

Thursday- Saturday
1:00 PM \u2013 7:00 PM<\/p>\n\n\n\n

or<\/p>\n\n\n\n

By Appointment<\/p>\n\n\n\n

<\/p>\n\n\n\n

OFFER<\/p>\n\n\n\n

Guided tours<\/strong><\/p>\n\n\n\n

by appointement<\/p>\n\n\n\n

groups<\/p>\n\n\n\n

of adults or youth
11:00 AM \u2013 7:00 PM<\/p>\n\n\n\n

<\/p>\n\n\n\n

offre for students
avialble via<\/strong><\/p>\n\n\n\n

Pass Culture<\/a><\/p>\n\n\n\n

HERE<\/a><\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n

OPENING<\/h2>\n\n\n\n

May 23<\/mark> | Friday<\/mark><\/h3>\n\n\n\n

Press \u2013 12:30 PM
Public \u2013 7:00 PM – 9:00 PM<\/h4>\n\n\n\n

ARTISTS<\/strong><\/mark><\/p>\n\n\n\n

AKANE, BITTERSWEET, BRIGANDE, ELJO
KEN & BARBIE, L’\u00c9L\u00c8VE, MESTOURA, TaT (Ko Te Wai)<\/p>\n\n\n\n

8:00 PM \u2013 MEETINGS<\/p>\n\n\n\n

with<\/p>\n\n\n\n

Nadia El Fani<\/strong><\/p>\n\n\n\n

R\u00e9alisatrice, sc\u00e9nariste et productrice franco-tunisienne<\/p>\n\n\n\n

Catalina Gimenez<\/strong><\/p>\n\n\n\n

Chant <\/p>\n\n\n\n

+<\/mark><\/p>\n\n\n\n

BRIGANDE<\/strong><\/p>\n\n\n\n

Music Electronic<\/p>\n\n\n\n

NOCTURNES<\/strong><\/p>\n\n\n\n

31st May<\/p>\n\n\n\n

R.P.M.P.<\/strong><\/p>\n\n\n\n

+<\/p>\n\n\n\n

21 JUIN with<\/p>\n\n\n\n

BRIGANDE & WELLWELLSOUND and URBAIN<\/strong><\/p>\n\n\n\n

*<\/mark> For more information<\/p>\n\n\n\n

scroll down.<\/p>\n\n\n\n

CAN ONE (STILL) SPEAK FREELY?<\/strong><\/p>\n\n\n\n

What is the state of our freedom of expression today?
Is it under threat from the rise of fascism
and the tightening grip of religious, familial, political, cultural, and ideological dogmas?<\/p>\n\n\n\n

How do those subjected to oppression, diktats, and censorship
carve out spaces to express themselves
and reclaim their voices?<\/p>\n\n\n\n

This question feels ever more urgent
amid the profound upheavals shaping our world.<\/p>\n\n\n\n

The Hors Dogma exhibition brings together artists from around the globe,
committed to a practice free from imposed constraints,
open to boundless expression.<\/p>\n\n\n\n

BRIGANDE<\/strong><\/p>\n\n\n\n

Out beyond ideas of wrongdoing and rightdoing, There is a field. I’ll meet you there. \u2014 Jelaludin Rumi (1207-1273) | <\/strong>Translated from Persian by Coleman Barks<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00a9 Kevin Gilbert (1933\u20131993), Boothang and Mirngarng, 1969, linocut, printed in black ink, from one block,
@National Gallery of Australia 90.754    |   Print # 11\/50<\/p>\n\n\n\n

From 23 May to June 22, 2025<\/h2>\n\n\n\n

M\u00e9moire de l’Avenir (MDA) | Humanit\u00e9s, Arts et Soci\u00e9t\u00e9 (HAS) <\/strong><\/p>\n\n\n\n

brings together artists who, through a variety of expressions,
share their reflections on the theme
HORS DOGMA<\/mark>.<\/p>\n\n\n\n

Societies, whether familial or broader, have always been shaped by dogmas seen as pillars of their order and harmony.<\/p>\n\n\n\n

Religious, social, political, or ideological,
these imposed belief systems restrict open-mindedness
and hinder the continuous questioning essential to an evolving society.<\/p>\n\n\n\n

When accepted without debate,
dogma stifles critical thinking and prevents any challenge to established norms.
It extends far beyond religion,
deeply influencing both individual and collective behavior.<\/p>\n\n\n\n

Margalit Berriet<\/strong>
Memoire de l’Avenir<\/p>\n\n\n\n

I will not serve that in which I no longer believe,
whether it call itself my home, my fatherland, or my church.
\u2014 James Joyce, Portrait de l\u2019artiste en jeune homme (1916), p. 247<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n

\n\n
Exhibition Curator: <\/strong>Margalit Berriet
Co-curators : <\/strong>Helen-Margaret Giovanello avec Brigande<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div>\n\n\n
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CATALOGUE<\/a><\/div>\n<\/div>\n\n\n\n
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TEXT Margalit Berriet<\/font><\/font><\/a><\/div>\n<\/div>\n\n\n\n

THE ARTISTS & CONTRIBUTORS<\/font><\/font><\/h2>\n\n\n\n

Anyone who bases, or believes they base, their conduct
\u2014whether internal or external, emotional or active\u2014
on a dogma or a theoretical principle
they consider indisputable
runs the risk of becoming a fanatic.”
\u2014 Miguel de Unamuno (1864\u20131936), The Tragic Sense of Life (1912)<\/p>\n\n\n\n

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AKANE<\/strong><\/p>\n\n\n\n

Akane is a French artist and writer of Senegalese descent. With a lifelong sensitivity to artistic expression, he developed a passion for writing and drawing, using them as a means to explore and communicate his thoughts beyond the constraints of societal expectations. Five years ago, he chose to distance himself from the religious dogma of Islam, a journey that has profoundly shaped his creative and intellectual pursuits. His work reflects a commitment to individuality and free expression, challenging imposed narratives and seeking to offer a singular and authentic voice to the world.<\/p>\n<\/div>\n\n\n\n

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Extrait \u00a9 AKANE<\/p>\n<\/div>\n<\/div>\n\n\n\n

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BITTERSWEET STING<\/strong><\/p>\n\n\n\n

BitterSweet Sting is a French-Tunisian artist specializing in watercolor and acrylic illustration. Fascinated by the human psyche, she delves into weighty themes such as sexual abuse and indoctrination, creating a striking contrast between the vivid colors of her work and the unsettling narratives they convey.<\/p>\n\n\n\n

She is currently working on a graphic novel that blends fiction and reality, inviting audiences to explore the complexities of the human mind, where beauty and absurdity coexist. Her artistic approach, both personal and universal, sparks reflection on crucial societal issues.<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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\u00a9 BitterSweet<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u00a9 Brigande<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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BRIGANDE<\/strong><\/p>\n\n\n\n

Brigande is an artist specializing in electronic music. Her work is rooted in sharing and engaging with diverse and eclectic audiences. Her style blends traditional elements with new technologies, creating a unique fusion.<\/p>\n\n\n\n

She is also involved in the restoration of musical instruments alongside Mr. Dierstein, a leading expert in vintage synthesizer maintenance. Together, they have contributed to the development of the new Ondes Martenot, a legendary instrument that holds a significant place in both French and global musical heritage.<\/p>\n\n\n\n

brigande.fr<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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ELJO WELLINGTON<\/strong><\/p>\n\n\n\n

Trained in visual arts, Eljo has dedicated the past decades primarily to his musical career. While his graphic work shifted toward a professional focus, he honed his skills in digital arts.<\/p>\n\n\n\n

Now, in a return to his roots, Eljo has picked up his brushes once again to reconnect with his first artistic passions.<\/p>\n\n\n\n

@wellwellsound<\/a><\/p>\n\n\n\n

wellwellsound.free.fr<\/a><\/p>\n\n\n\n

FB wellwellsound<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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\u00a9 Eljo Wellinton<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u00a9Mestoura<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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MESTOURA<\/strong><\/p>\n\n\n\n

Bathed in Mediterranean light, I grew up fascinated by photography\u2014its silent language and its ability to suspend the fleeting. A self-taught photographer, I explore this form of expression and its history.<\/p>\n\n\n\n

I am capturing moments before they vanish.<\/p>\n\n\n\n

My work plays with the tension between the present and eternity. Like cinema, an image lingers within us, feeding imagination, fears, and hopes.<\/p>\n\n\n\n

As I approach 40, with long-dormant dogmas resurfacing, I remain convinced of art\u2019s power\u2014to awaken, question, resist, and heal.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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KEN ET BARBIETRUC<\/strong><\/p>\n\n\n\n

Calligraphy<\/p>\n\n\n\n

This project was born from the meeting of two artists\u2014one breaking free from his chains to embrace a life of uninhibited expression, the other a free spirit, unconstrained by norms and rules.<\/p>\n\n\n\n

From the fusion of these two journeys emerges a unique artistic mix, which they invite you to experience.<\/p>\n\n\n\n

Libert\u00e9 \u00a9 Ken & Barbietruc<\/p>\n<\/div>\n\n\n\n

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@discord   |  RPMP<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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The STUDENT | L’\u00c9L\u00c8VE<\/strong><\/p>\n\n\n\n

is a former believer who explored various religious and philosophical currents before taking a step back from dogmas. His quest for truth and his interest in the big questions of existence led him to found R.P.M.P, a Discord server dedicated to open debates. On this platform, believers and non-believers, of all political orientations, exchange freely around the themes of religion, philosophy, metaphysics and politics. The Student sees it as an essential space to cultivate tolerance and enrich mutual understanding, encouraging everyone to explore and question their beliefs in a spirit of respectful dialogue.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Te Wai (T\u0101t)<\/strong><\/p>\n\n\n\n

N\u014d Whaingaroa \/ Waikato ahau, e noho ana ki Tamaki Makaurau me te Mokoia.<\/p>\n\n\n\n

Raised under the ever-gazing Maungarei mountain in a small village called Mokoia (Panmure) in Tamaki Makaurau from the creative age of four, I am a local artist deeply rooted in my vibrant community.<\/p>\n\n\n\n

My art is a multifaceted journey, spanning calligraphy, graffiti, photography, fine arts, and animation. Each piece reflects my personal and cultural experiences, blending reality and imagination. Through bold visuals and intricate designs, I explore the human state, turning spontaneous \u201cdoodles\u201d into profound reflections. My work invites viewers into my creative psyche, offering a captivating and emotional exploration of identity and the world around us.<\/p>\n\n\n\n

wairua-kaiao<\/a><\/p>\n\n\n\n

@cyxe2020<\/a><\/p>\n\n\n\n

\n
Moehurori – M\u0101ori Rongomatane
The CONCEPT
\u00a9Tat Ko Te Wai<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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<\/div>\n\n\n\n
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Rongom\u0101tane, ‘He K\u016bmara’ 2025 \u00a9 Tat (Ko Te Wai)<\/p>\n<\/div>\n<\/div>\n\n\n\n

Throughout history, dogmatic and intolerant fanaticism
has continually opposed scientific progress
and the reassessment of accepted theories,
even when new evidence invalidates their foundational axioms.<\/p>\n\n\n\n

Maurice Allais – 1911-2010 –<\/strong>
L’anisotropie de l’espace, 1997<\/strong><\/p>\n\n\n\n

*<\/mark>OPENING – EVENTS<\/p>\n\n\n\n

RENCONTRES<\/strong><\/p>\n\n\n\n

in Details<\/p>\n\n\n\n

GUESTS<\/strong><\/p>\n\n\n\n

Nadia El Fani<\/strong><\/p>\n\n\n\n

An atheist, feminist, and advocate for freedom of expression, she established herself as a committed cinematic Voice.<\/p>\n\n\n\n

Born to a French mother and a Tunisian father, Nadia El Fani grew up in an environment shaped by her father B\u00e9chir El Fani\u2019s political activism, to whom she dedicated the film Ouled Lenine (2008). She started in 1982 as an intern on Jerry Schatzberg\u2019s Besoin d\u2019amour, later assisting directors such as Roman Polanski, Nouri Bouzid, and Franco Zeffirelli. In 1990, she began directing short films and founded Z\u2019Yeux Noirs Movies in Tunisia. In 2002, she moved to Paris during the post-production of her first feature, Bedwin Hacker.<\/p>\n\n\n\n

About<\/strong><\/a>: Nadia El Fani<\/a><\/p>\n\n\n\n

@nadfani<\/a><\/p>\n\n\n\n

@ cinematunisien.com<\/a><\/p>\n\n\n\n

Sans-Dieu-Ni-Ma\u00eetre<\/a><\/p>\n\n\n\n

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La\u00efcit\u00e9 Inch’ Allah
de Nadia El Fani
Documentaire
Economie \/ Soci\u00e9t\u00e9<\/p>\n<\/div>

\"\"<\/figure><\/div>\n\n\n\n

Catalina Gimenez<\/strong><\/p>\n\n\n\n

Daughter of an Andalusian-Gypsy father and a Navarrese mother, Catalina Gimenez was deeply influenced by her cultural and familial heritage from an early age. She became not only a true cantaora of flamenco but also a pioneer in teaching this unique vocal art.<\/p>\n\n\n\n

More about her:<\/strong><\/p>\n\n\n\n

Les Murs Parlent<\/a><\/p>\n\n\n\n

Catalina-Gimenez-Chanteuse-de-flamenco<\/a><\/p>\n\n\n\n

@catalina.artiste<\/a><\/p>\n\n\n\n

@cat.gimenez<\/a><\/p>\n\n\n\n

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BRIGANDE<\/strong><\/p>\n\n\n\n

Visual artist focused on electronic music, dedicated to sharing and engaging with diverse audiences.
She merges tradition with new technologies.<\/p>\n\n\n\n

Committed to the restoration of musical instruments alongside Mr. Dierstein, a leading expert in vintage synthesizer maintenance, she has contributed to the development of the new generation of Ondes Martenot\u2014an iconic instrument of French and global musical heritage.<\/p>\n\n\n\n

brigande.fr<\/a><\/p>\n\n\n\n

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Image & montage video Brigande, Son Catalina Gimenez see \u00e9 listen HERE<\/a><\/p>\n\n\n\n

NOCTURNES<\/strong><\/h2>\n\n\n\n

31 MAY<\/h3>\n\n\n\n

19-21h<\/p>\n\n\n\n

R.P.M.P.<\/p>\n\n\n\n

Religion Philosophie
M\u00e9taphysique Politique<\/p>\n\n\n\n

The RPMP Discord server (Religion, Philosophy, Metaphysics, Politics)
is a space for intellectual exchanges and engaging debates on these four major topics.<\/p>\n\n\n\n

An immersive experience allows visitors to dive into the world of the server,
a space where the diversity of opinions is not only possible but essential.
Everyone can participate.
The discussions cover a wide range of topics such as
religion, philosophy, metaphysics, and politics.
Each scene presents exchanges that illustrate this diversity of opinions.<\/p>\n\n\n\n

These debates transcend geographical boundaries, as anyone from anywhere in the world can join the server and contribute.<\/p>\n\n\n\n

R.P.M.P.<\/strong><\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

JUNE 21, 2025<\/strong><\/p>\n\n\n\n

Saturday
7PM – 11PM<\/strong><\/p>\n\n\n\n

MUSIC HORS DOGME<\/h3>\n\n\n\n

Feature<\/strong>
BRIGANDE
&
Wellwellsound
&
Urbrain
&
Guests<\/p>\n\n\n\n

Brigande<\/h3>\n\n\n\n

Electronic music, a work based on sharing and engagement with audiences, blending tradition and new technologies into a unique fusion.<\/p>\n\n\n\n

brigande.fr<\/a>
@humanitiesartsandsociety – brigande<\/a><\/p>\n\n\n\n

\"\"<\/figure>
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The art of artists in times of war and conflict often arises from adversity\u2026
Yet, artistic practice remains, above all, a powerful way to transcend linguistic, religious, and political dogmas boundaries.<\/p>\n<\/div><\/div>\n\n\n\n

+<\/strong><\/p>\n\n\n\n

wellwellsound<\/p>\n\n\n\n

WELLWELL A.K.A. Eljo Wellington, dub producer and also reggae selecter with a lot of influences. From King Tubby, Lee Scratch Perry and Scientist, to Joe Meek, Krafwerk or RZA. He enjoys to readapt classical riddims in 8-bit style, and also to explore other directions like hip-hop or dubstep. He works currently on different projects and with different artists like Don Camilo and prepares brand new productions.<\/p>\n\n\n\n

ABOUT
wellwellsound<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
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digital installations
Photography<\/p>\n\n\n\n

ALEXANDRE URBRAIN<\/strong><\/p>\n\n\n\n

A versatile artist, Alexandre R\u00e9ty is best known for his large-format images with an uncompromising level of definition. His work reveals a true fascination with urban landscapes. His photographs reflect an architectural interest.
Read further here<\/p>\n\n\n\n

URBRAIN.NET<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

COCON<\/h3>\n\n\n\n

Installation num\u00e9rique<\/p>\n\n\n\n

EXPLORE HERE<\/a><\/p>\n\n\n\n

An audio-visual performance is a clever blend of tactile, auditory, olfactory, and visual stimuli, created by both ancient craftsmanship and the most sophisticated technology: crystal bowls, odorama of essential oils, 8.2 sound diffusion, panoramic vision, and a massan floor.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Si vous souhaitez nous soumettre un projet de performance pour nos LIVE EVENTS merci de nous contacter via email \u00e0 contact@memoire-a-venir.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

M\u00e9moire de l’Avenir is a non-political, non-religious organization that uses arts, cultures, and heritage as tools for dialogue. In keeping with its ethical charter, it welcomes the Hors Dogma exhibition as a space for open, respectful, and meaningful exchange. By moving beyond stereotypes and prejudices, intercultural dialogue fosters a deeper understanding of diverse worldviews and helps build […]<\/p>\n","protected":false},"featured_media":6570,"comment_status":"open","ping_status":"closed","template":"exhibition-template-without-customfields","meta":[],"exhibition_category":[41,24],"class_list":["post-6387","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition_category-2025_en","exhibition_category-previous-exhibition"],"yoast_head":"\nHORS DOGMA - Memory of the Future<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/preprod.gmindia.tech\/mda\/en\/crbst_310_en\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HORS DOGMA - Memory of the Future\" \/>\n<meta property=\"og:description\" content=\"M\u00e9moire de l’Avenir is a non-political, non-religious organization that uses arts, cultures, and heritage as tools for dialogue. In keeping with its ethical charter, it welcomes the Hors Dogma exhibition as a space for open, respectful, and meaningful exchange. 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