{"id":3811,"date":"2024-10-07T09:20:58","date_gmt":"2024-10-07T09:20:58","guid":{"rendered":"https:\/\/preprod.gmindia.tech\/mda\/?post_type=exhibition&p=3811"},"modified":"2024-11-25T09:55:55","modified_gmt":"2024-11-25T09:55:55","slug":"crbst_302","status":"publish","type":"exhibition","link":"https:\/\/preprod.gmindia.tech\/mda\/crbst_302\/","title":{"rendered":"(HI)STOIRE(S)"},"content":{"rendered":"\n

INTERVENTION MUSICALE || GUEST ARTIST<\/strong><\/p>\n\n\n\n

\n
\n

FRIDAY November 03 @ 8PM<\/strong><\/p>\n\n\n\n

Improvesation and Composition a musical performance
duration : 20 minutes approx.<\/p>\n\n\n\n

ARTISTE INVIT\u00c9E<\/strong><\/p>\n\n\n\n

Eug\u00e9nie Kuffler<\/strong><\/p>\n\n\n\n

n\u00e9e en 1949 \u00e0 Baltimore, Maryland \u00e9migre \u00e0 Paris en 1967 et y \u00e9tudie l\u2019\u00e9criture avec Nadia Boulanger, Max Deutsch et Henri Dutilleux, la fl\u00fbte avec Alain Marion et la musique \u00e9lectroacoustique au GRM. En 1970 elle int\u00e8gre le GERM, un collectif de compositeurs et interpr\u00e8tes ; en 1973 Philippe Drogoz et elle-m\u00eame fondent l\u2019ensemble de cabaret d\u2019avant-garde 010 ; en 1980 \u00e0 la Biennale de Paris, elle cr\u00e9e le triptyque solo \u00ab icara nuit \u00bb – icara ou le journal intime, iris, de la lune \u00e0 l\u2019eau, \u0153uvre qui oriente encore son travail. Elle cr\u00e9e des radiophonies pour France Culture \u2013 J\/E, d\u2019apr\u00e8s le Corps lesbien de Monique Wittig, cor\u00e9alisation avec Syn Gu\u00e9rin, les cahiers extatiques spiral. En 1995 Nathalie Braux, Aldridge Hansberry, H\u00e9l\u00e8ne Bass, Francine Mercier et elle-m\u00eame fondent le collectif de compositrices-interpr\u00e8tes Hot Chills et jouent ensemble jusqu\u2019en 2012. En 2000 elle fonde Conexi\u00f3n Habana, une troupe de 8 danseurs, musiciens et com\u00e9diens cubains plus elle-m\u00eame et jusqu\u2019en 2007 cr\u00e9e 6 chapitres de Etno Poes\u00eda Cuba \u00e0 la Havane. Actuellement elle improvise avec qui veut et pr\u00e9pare le solo de th\u00e9\u00e2tre-musique \u2013 Techniques de survie.<\/p>\n\n\n\n

\n
plus d’informations<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/figure>\n\n\n\n

Eugenie Kuffler<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

Christine Chardonnier<\/strong><\/p>\n\n\n\n

Une formation classique dans diff\u00e9rents conservatoires – fl\u00fbte traversi\u00e8re, solf\u00e8ge, harmonie, analyse plus un cursus universitaire en musicologie \u00e0 la Sorbonne. Et puis au gr\u00e9 des rencontres, un parcours allant de l\u2019orchestre classique (Loewenguth, Ernst Schelle, Sergui Celibidache\u2026) au jazz (\u00e9cole de l\u2019Edim), \u00e0 la salsa, \u00e0 la musique contemporaine (Philip Drogoz, l\u2019ensemble Armucom, l\u2019ensemble l\u2019instant donn\u00e9).
D\u2019autres domaines visit\u00e9s pour \u00e9largir ses horizons – la danse, le mouvement sensoriel (Martha Rodezno), l\u2019accord\u00e9on, le piano, le clown (Vincent Rouche, Fran\u00e7oise Simon\u2026) ; des collaborations avec des danseurs (compagnie C\u00e9cile Berrebi\u2026), des po\u00e8tes (l\u2019Harmattan, lectures musicales), des com\u00e9diens (Le kal\u00e9idoscope bleu).
Elle enseigne et performe r\u00e9guli\u00e8rement.
La d\u00e9couverte de l\u2019improvisation a donn\u00e9 un sens \u00e0 ces diff\u00e9rentes recherches – le go\u00fbt du son, de l\u2019expression instantan\u00e9e, des rencontres \u00e0 l\u2019improviste, l\u2019exploration partag\u00e9e et renouvel\u00e9e \u00e0 chaque instant\u2026.<\/p>\n\n\n\n

\n
plus d’informations<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

Eugenie Kuffler<\/p>\n<\/div>\n<\/div>\n\n\n\n

Une occasion ! Mieux ! Une invitation ! \u2013 M\u00e9moire de l\u2019Avenir, Riccarda Montenero – Histoires sombres \u2013 Danse du corps sacral\u2026 Avec qui jouer ? Cette-fois-ci ? Christine Chardonnier, cette fl\u00fbtiste \u00e9prise de libert\u00e9 avec une d\u00e9tach\u00e9e \u00e9poustouflante et une envie de bouger qu\u2019elle ne r\u00e9prime pas. Cela le fera, tout concorde \u2013 les images, l\u2019espace, les conditions\u2026 Ainsi nous d\u00e9couvrirons en temps r\u00e9el ce que nous voyons, entendons et voulons faire entendre.<\/p>\n\n\n\n

EK, Paris 16 septembre, 2023<\/p>\n\n\n\n

Du silence
De l\u2019\u00e9coute
Un regard
Des r\u00e9actions, des formes, des positionnements \u2026une mise en mouvement sonore des photos, des \u00e9chos\u2026
Ressentir, laisser advenir et puis sculpter l\u2019espace au gr\u00e9 du lieu, de l\u2019acoustique, des propositions musicales ext\u00e9rieures, des sensations, de la musque interne.
Laisser les sons sonner, r\u00e9sonner, s\u2019entrelacer\u2026
Une mise en vibration des \u00e9motions, des r\u00e9miniscences\u2026\u00e0 travers le souffle.
Mettre en forme l\u2019ineffable, la po\u00e9sie de l\u2019instant.<\/p>\n\n\n\n

CC, Paris 21 septembre, 2023<\/p>\n","protected":false},"excerpt":{"rendered":"

INTERVENTION MUSICALE || GUEST ARTIST FRIDAY November 03 @ 8PM Improvesation and Composition a musical performanceduration : 20 minutes approx. ARTISTE INVIT\u00c9E Eug\u00e9nie Kuffler n\u00e9e en 1949 \u00e0 Baltimore, Maryland \u00e9migre \u00e0 Paris en 1967 et y \u00e9tudie l\u2019\u00e9criture avec Nadia Boulanger, Max Deutsch et Henri Dutilleux, la fl\u00fbte avec Alain Marion et la musique […]<\/p>\n","protected":false},"featured_media":3812,"comment_status":"open","ping_status":"closed","template":"exhibition-template","meta":[],"exhibition_category":[73,71],"class_list":["post-3811","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition_category-crbst_116","exhibition_category-expositions-passees"],"yoast_head":"\n(HI)STOIRE(S) - M\u00e9moire de l'Avenir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/preprod.gmindia.tech\/mda\/crbst_302\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"(HI)STOIRE(S) - M\u00e9moire de l'Avenir\" \/>\n<meta property=\"og:description\" content=\"INTERVENTION MUSICALE || GUEST ARTIST FRIDAY November 03 @ 8PM Improvesation and Composition a musical performanceduration : 20 minutes approx. 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