{"id":5896,"date":"2025-07-31T10:01:03","date_gmt":"2025-07-31T10:01:03","guid":{"rendered":"https:\/\/preprod.gmindia.tech\/mda\/?post_type=exhibition&p=5896"},"modified":"2025-10-28T07:27:52","modified_gmt":"2025-10-28T07:27:52","slug":"crbst_312","status":"publish","type":"exhibition","link":"https:\/\/preprod.gmindia.tech\/mda\/crbst_312\/","title":{"rendered":"APPEL \u00c0 CANDIDATURES – OPEN CALL ETE – SUMMER – 2025"},"content":{"rendered":"\n
\n

M\u00e9moire de l’Avenir<\/strong>
une association apolitique et aconfessionnelle,  fid\u00e8le \u00e0 sa charte \u00e9thique<\/a>
elle utilise les arts et les cultures comme outils de dialogue et de compr\u00e9hension.<\/p>\n<\/div>\n\n\n

APPEL \u00c0 CANDIDATURES – OPEN CALL ETE – SUMMER – 2025<\/h5>\n\n\n

APPEL \u00c0 CANDIDATURES<\/p>\n\n\n\n

OPEN CALL<\/p>\n\n\n\n

Date limite : 1er juin 2025<\/p>\n\n\n\n

(Re)composer le pr\u00e9sent en revisitant le pass\u00e9.<\/strong><\/p>\n\n\n\n

INSPIRATIONS !<\/p>\n\n\n\n

\n
<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

\u00a9 Nina Katchadourian’s
Lavatory Self-Portraits in the Flemish Style,
the artist uses toilet paper to mimic features of the attire of a 15th-century Flemish couple. Nina Katchadourian<\/p>\n<\/div>\n\n\n\n

\n

\u00c9V\u00c8NEMENTS
GRATUITS<\/gwmw><\/p>\n\n\n\n

<\/div>\n\n\n\n

VERNISSAGE<\/p>\n\n\n\n

04 07 2025<\/p>\n\n\n\n

<\/div>\n\n\n\n

PRESSE<\/p>\n\n\n\n

12H30<\/p>\n\n\n\n

PUBLIC<\/p>\n\n\n\n

18H-21H<\/p>\n\n\n\n

PERFORMANCE<\/p>\n\n\n\n

19H30-22H<\/p>\n\n\n\n

<\/div>\n\n\n\n

VISITES<\/strong><\/p>\n\n\n\n

OUVERT AU PUBLIC<\/strong><\/p>\n\n\n\n

du jeudi au samedi
13H-19H<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

SUR RDV<\/strong><\/p>\n\n\n\n

tous les mercredi<\/strong><\/p>\n\n\n\n

contact@memoire-a-venir.org<\/a><\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n

Du 4 juillet au 1er ao\u00fbt 2025<\/strong><\/p>\n\n\n\n

avec une option de prolongation jusqu\u2019au 1er septembre 2025<\/p>\n\n\n\n

M\u00e9moire de l\u2019Avenir (MDA) \/ Humanities, Arts and Society (HAS)<\/p>\n\n\n\n

r\u00e9uniront des artistes<\/p>\n\n\n\n

d\u2019ici et d\u2019ailleurs<\/p>\n\n\n\n

pour une exposition collective transdisciplinaire.<\/p>\n\n\n\n

L\u2019exposition mettra en lumi\u00e8re les qualit\u00e9s formelles et conceptuelles d\u2019\u0153uvres abordant les enjeux sociaux et politiques contemporains.<\/p>\n\n\n\n

Les artistes, tous m\u00e9diums confondus, s\u2019inspirent d\u2019\u0153uvres ou d\u2019id\u00e9es anciennes pour explorer les th\u00e8mes de notre \u00e9poque.<\/p>\n\n\n\n

Leurs cr\u00e9ations t\u00e9moignent d\u2019exp\u00e9riences (heureuses ou douloureuses) de vies fa\u00e7onn\u00e9es par les m\u00e9moires et la r\u00e9p\u00e9tition,<\/p>\n\n\n\n

et de la n\u00e9cessit\u00e9 de reconsid\u00e9rer le pr\u00e9sent.<\/p>\n\n\n\n

Leur d\u00e9marche ouvre des perspectives vers des futurs possibles.<\/p>\n\n\n\n

Inspir\u00e9s par la nature ou par les ma\u00eetres du pass\u00e9,<\/p>\n\n\n\n

ces artistes r\u00e9interpr\u00e8tent les messages anciens \u00e0 travers de nouveaux outils et langages,<\/p>\n\n\n\n

\u00e9tablissant une correspondance vivante avec notre actualit\u00e9.<\/p>\n\n\n\n

\n
<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

\u00a9 Christo & Jeanne-Claude \u00ab Valley Curtain, Rifle, Colorado, 1970-1972 \u00bb<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
\n
INSPIRATION
Revisiter le pass\u00e9 & composer le pr\u00e9sent
Margalit Berriet<\/a><\/div>\n<\/div>\n\n\n\n

\u00c0 PROPOS<\/strong><\/p>\n\n\n\n

\u00ab\u00a0Rien de nouveau sous le soleil\u00a0\u00bb.<\/em><\/p>\n\n\n\n

Et pourtant, si les r\u00e9cits et les images semblent familiers,<\/p>\n\n\n\n

chaque narration devient singuli\u00e8re<\/p>\n\n\n\n

lorsqu\u2019elle est habit\u00e9e par le pr\u00e9sent.<\/p>\n\n\n\n

Revisiter le pass\u00e9,<\/p>\n\n\n\n

c\u2019est faire l\u2019exp\u00e9rience de r\u00e9cits et d\u2019images sous un nouveau jour,<\/p>\n\n\n\n

leur redonner sens dans l\u2019instant.<\/p>\n\n\n\n

Depuis toujours, philosophes, penseurs et artistes,<\/p>\n\n\n\n

toutes disciplines confondues,<\/p>\n\n\n\n

questionnent le r\u00f4le de la cr\u00e9ativit\u00e9 dans la soci\u00e9t\u00e9,<\/p>\n\n\n\n

aspirant \u00e0 devenir des acteurs engag\u00e9s<\/p>\n\n\n\n

au sein de leurs communaut\u00e9s.<\/p>\n\n\n\n

L\u2019exposition r\u00e9unira les \u0153uvres de 8 \u00e0 10 artistes,<\/p>\n\n\n\n

aux pratiques diverses,<\/p>\n\n\n\n

dont le travail explore ces enjeux de mani\u00e8re directe ou conceptuelle.<\/p>\n\n\n\n

Le proverbe \u00ab Rien de nouveau sous le soleil \u00bb,<\/p>\n\n\n\n

attribu\u00e9 au roi Salomon,<\/p>\n\n\n\n

exprime une forme de lassitude face aux cycles de la vie humaine<\/p>\n\n\n\n

et \u00e0 la r\u00e9p\u00e9tition des exp\u00e9riences.<\/p>\n\n\n\n

Et pourtant, cette exposition c\u00e9l\u00e8bre<\/p>\n\n\n\n

la force des formes et des id\u00e9es qui,<\/p>\n\n\n\n

\u00e0 travers les arts,<\/p>\n\n\n\n

abordent avec acuit\u00e9<\/p>\n\n\n\n

les probl\u00e9matiques sociales et politiques de notre \u00e9poque.<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

The Kid, Blessed is the lamb whose blood
flows, 2015 \u00a9 T\u00eatu<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Unknown artist, The abduction of Ganymede, 1532 \u00a9 Public Domain<\/p>\n<\/div>\n<\/div>\n\n\n\n

POUR PARTICIPER<\/strong><\/p>\n\n\n\n

Envoyez votre candidature en anglais et en fran\u00e7ais,<\/p>\n\n\n\n

avant le 1er juin 2025 (minuit)<\/p>\n\n\n\n

\u00e0 : contact@memoire-a-venir.org<\/a><\/p>\n\n\n\n

via WeTransfer<\/p>\n\n\n\n

Merci d\u2019inclure :<\/strong><\/p>\n\n\n\n

– Visuels de l\u2019\u0153uvre (image, vid\u00e9o, audio, etc.)<\/p>\n\n\n\n

ou de la performance propos\u00e9e (HD si possible)<\/p>\n\n\n\n

– Courte description de l\u2019\u0153uvre ou performance (500 caract\u00e8res max.)<\/p>\n\n\n\n

– Pr\u00e9sentation de votre d\u00e9marche artistique (600 caract\u00e8res max.)<\/p>\n\n\n\n

– Br\u00e8ve biographie (300 caract\u00e8res max.)<\/p>\n\n\n\n

– Liens vers vos r\u00e9seaux sociaux ou site web (Instagram, etc.)<\/p>\n\n\n\n

CONDITIONS<\/p>\n\n\n\n

M\u00e9moire de l\u2019Avenir est une association \u00e0 but non lucratif,<\/p>\n\n\n\n

fonctionnant comme une coop\u00e9rative.<\/p>\n\n\n\n

Chaque artiste participe \u00e0 la hauteur de 300 \u20ac<\/strong>,<\/p>\n\n\n\n

partageant les frais \u00e0 50\/50 avec MDA.<\/p>\n\n\n\n

La totalit\u00e9 des ventes revient \u00e0 l\u2019artiste \u2013 MDA ne prend aucune commission.<\/p>\n\n\n\n

MDA S\u2019ENGAGE \u00c0<\/p>\n\n\n\n

– Assurer le commissariat et l\u2019installation de l\u2019exposition<\/p>\n\n\n\n

– Mettre \u00e0 disposition un espace d\u2019exposition de 80 m\u00b2<\/p>\n\n\n\n

– Cr\u00e9er une page d\u00e9di\u00e9e sur le site de MDA<\/p>\n\n\n\n

– Concevoir et diffuser des newsletters<\/p>\n\n\n\n

– Cr\u00e9er une invitation num\u00e9rique (format 10\u00d710) et l\u2019imprimer (200 exemplaires)<\/p>\n\n\n\n

– Concevoir un catalogue num\u00e9rique libre de droits, et fournir un exemplaire imprim\u00e9 \u00e0 chaque artiste<\/p>\n\n\n\n

– Assurer la communication et les relations presse<\/p>\n\n\n\n

– Organiser un vernissage ouvert au public<\/p>\n\n\n\n

– Int\u00e9grer l\u2019exposition au programme de ouverture et m\u00e9diation culturelle<\/p>\n\n\n\n

Accueillir les visiteurs du jeudi au samedi, de 11h \u00e0 19h (ou sur rendez-vous)<\/strong><\/p>\n\n\n\n

\u00c0 PROPOS DE LA COLLABORATION AVEC MDA<\/p>\n\n\n\n

Depuis 2003, M\u00e9moire de l\u2019Avenir \u0153uvre \u00e0 \u00e9largir l\u2019acc\u00e8s aux arts \u00e0 travers des \u00e9v\u00e9nements de sensibilisation tout au long de l\u2019ann\u00e9e.<\/p>\n\n\n\n

Une attention particuli\u00e8re sera port\u00e9e aux propositions d\u2019artistes partageant nos valeurs et engagements \u00e9thiques.<\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

M\u00e9moire de l’Avenirune association apolitique et aconfessionnelle,  fid\u00e8le \u00e0 sa charte \u00e9thiqueelle utilise les arts et les cultures comme outils de dialogue et de compr\u00e9hension. APPEL \u00c0 CANDIDATURES OPEN CALL Date limite : 1er juin 2025 (Re)composer le pr\u00e9sent en revisitant le pass\u00e9. INSPIRATIONS ! \u00a9 Nina Katchadourian’sLavatory Self-Portraits in the Flemish Style,the artist uses toilet […]<\/p>\n","protected":false},"featured_media":5945,"comment_status":"open","ping_status":"closed","template":"exhibition-template-without-custom-fields","meta":[],"exhibition_category":[88,71],"class_list":["post-5896","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition_category-88","exhibition_category-expositions-passees"],"yoast_head":"\nAPPEL \u00c0 CANDIDATURES - OPEN CALL ETE - SUMMER - 2025 - M\u00e9moire de l'Avenir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/preprod.gmindia.tech\/mda\/crbst_312\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"APPEL \u00c0 CANDIDATURES - OPEN CALL ETE - SUMMER - 2025 - M\u00e9moire de l'Avenir\" \/>\n<meta property=\"og:description\" content=\"M\u00e9moire de l’Avenirune association apolitique et aconfessionnelle,  fid\u00e8le \u00e0 sa charte \u00e9thiqueelle utilise les arts et les cultures comme outils de dialogue et de compr\u00e9hension. 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