{"id":692,"date":"2024-02-05T04:47:37","date_gmt":"2024-02-05T04:47:37","guid":{"rendered":"http:\/\/localhost\/mda-variations-plugin\/?page_id=692"},"modified":"2025-08-13T07:50:17","modified_gmt":"2025-08-13T07:50:17","slug":"hasmagazine","status":"publish","type":"page","link":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/","title":{"rendered":"LA REVUE HAS"},"content":{"rendered":"\n

LA REVUE HAS<\/strong><\/h4>\n\n\n\n
\n
\n
\"\"\/<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Espaces et lieux<\/strong><\/p>\n\n\n\n

Deux dimensions de l’\u00eatre<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

\u00c9ditorial<\/p>\n\n\n\n

<\/div>\n\n\n\n

Zolt\u00e1n Somhegyi et l\u2019\u00e9quipe de HAS<\/p>\n\n\n\n

L\u2019objectif de la revue HAS est de contribuer au d\u00e9veloppement des collaborations culturelles et multidisciplinaires – cruciales pour comprendre les probl\u00e8mes sociaux complexes et relever les d\u00e9fis qu\u2019ils posent.<\/p>\n\n\n\n

Ce cinqui\u00e8me num\u00e9ro de HAS Magazine interroge la relation complexe entre espaces et lieux. Si l\u2019espace para\u00eet neutre, le lieu est souvent charg\u00e9 d\u2019\u00e9motion, de culture ou de m\u00e9moire. Ces notions fa\u00e7onnent nos identit\u00e9s, nos actions et notre rapport \u00e0 l\u2019environnement, qu\u2019il soit intime ou plan\u00e9taire. Les arts et les humanit\u00e9s permettent d\u2019interroger et de relier ces concepts \u00e0 travers les disciplines. Avec un nombre record de propositions re\u00e7ues, ce num\u00e9ro refl\u00e8te une richesse de points de vue et confirme le r\u00f4le de HAS Magazine comme plateforme dynamique de dialogue transdisciplinaire.<\/p>\n\n\n\n

humanitiesartsandsociety.org<\/p>\n\n\n\n

Instagram<\/a>
Facebook<\/a>
Twitter<\/a><\/p>\n<\/div>\n\n\n\n

\n

#05<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n
Acc\u00e8s\u00a0\u00e0\u00a0la\u00a0revue\u00a0HAS#05<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Access\u00a0to\u00a0HAS\u00a0magazine\u00a0#05<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

#04<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\n
Acc\u00e8s\u00a0\u00e0\u00a0la\u00a0revue\u00a0HAS#04<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Access\u00a0to\u00a0HAS\u00a0magazine\u00a0#04<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"\/<\/figure>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n

ENGAGEMENT ET CONTEMPLATION
Deux \u00e9l\u00e9ments inh\u00e9rents du CARE<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The concept of care is crucial to address the challenges that our societies face at a local and global level, such as climate change, environmental degradation, ageing populations, gender equality, education, and poverty, etc. Care forces us to consider our interdependent relationships, to look inwards and outwards simultaneously.<\/p>\n\n\n\n

This issue again investigates two seemingly opposing concepts. However, just as in the previous topics (Nr. 1: \u201cBig Data and Singularities,\u201d Nr. 2: \u201cBetween Anxiety and Hope,\u201d and Nr. 3: \u201cTruth and Belief\u201d), the two carefully-chosen concepts do not simply oppose each other\u2014rather, they complement each other.<\/p>\n\n\n\n

Given the fragility of their meaning and the changing and shifting values attributed to them, we have again located these two concepts in the centre of the investigation\u2014not as things from which one needs to choose, but as a frame that contains the possible forms of action.<\/p>\n\n\n\n

Engagement cannot efficiently work without contemplation. And they do not simply work in chronological order. Contemplation does not necessarily or always have to precede action, but continuously accompanies engagement.
.
The theoretical analyses, case studies, project reports, and artworks in this 4th issue of HAS Magazine were selected to shed further light on this \u201ccollaboration\u201d between engagement and contemplation, to mutually influence and enlarge their potentialities, in relation to the notion of care.<\/p>\n\n\n\n

Zolt\u00e1n Somhegyi, editor-in-Chief of HAS Magazine<\/p>\n\n\n\n

<\/div>\n\n\n\n

humanitiesartsandsociety.org<\/p>\n\n\n\n

Instagram<\/a>
Facebook
<\/a>Twitter<\/a><\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

#03<\/strong><\/h2>\n\n\n\n
\n
\n
<\/div>\n\n\n\n
\n
Acc\u00e8s\u00a0\u00e0\u00a0la\u00a0revue\u00a0HAS<\/strong> #03<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Access\u00a0to\u00a0HAS\u00a0magazine\u00a0#03<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Dossier de presse<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Press release<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

VERITE ET ESPOIR<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

HAS est une publication pluridisciplinaire qui aborde les sujets les plus sensibles de nos soci\u00e9t\u00e9s contemporaines sous l\u2019angle des sciences humaines, sociales et des arts.<\/p>\n\n\n\n

HAS partage des id\u00e9es, des propositions, des connaissances pour \u00e9clairer nos questionnements, approfondir notre connaissance du monde, des autres et de nous-m\u00eame et encourager \u00e0 agir et \u00e0 participer.<\/p>\n\n\n\n

L\u2019objectif de la revue HAS est de contribuer au d\u00e9veloppement des collaborations culturelles et multidisciplinaires – cruciales pour comprendre les probl\u00e8mes sociaux complexes et relever les d\u00e9fis qu\u2019ils posent.<\/p>\n\n\n\n

En cr\u00e9ant une revue qui d\u00e9passe les fronti\u00e8res classiques des sciences humaines, en ouvrant ses pages \u00e0 des r\u00e9flexions sur des enjeux complexes, urgents, et mondiaux, – \u00e9cologiques, sanitaires, politiques, sociaux, \u00e9conomiques, de genre\u2026 – HAS offre une plate-forme pour un changement positif dans la soci\u00e9t\u00e9, au niveau local et global.<\/p>\n\n\n\n

Le troisi\u00e8me num\u00e9ro de HAS, V\u00e9rit\u00e9 et Croyance,<\/em><\/strong> propose d\u2019examiner ces concepts \u00e0 travers des r\u00e9flexions th\u00e9oriques, philosophiques mais \u00e9galement pratiques par l\u2019exploration de sujets tels que la manipulation des faits, les flux d\u2019information, l\u2019influence, l\u2019ambivalence de la transparence politique etc., et les dilemmes \u00e9thiques que ces questions peuvent soulever.<\/p>\n\n\n\n

Le lecteur trouvera des contributions qui repr\u00e9sentent un large \u00e9ventail de domaines de recherche et de pratiques artistiques, incluant des textes analytiques, des projets documentaires et des cr\u00e9ations artistiques. La revue HAS tente de proposer des r\u00e9ponses innovantes, d\u2019ouvrir des voies pour am\u00e9liorer notre pr\u00e9sent et notre avenir.<\/p>\n\n\n\n

humanitiesartsandsociety.org<\/p>\n\n\n\n

Instagram<\/a>
Facebook<\/a>
Twitter<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

#02<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n
Acc\u00e8s\u00a0\u00e0\u00a0la\u00a0revue\u00a0HAS#02<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Access\u00a0to\u00a0HAS\u00a0magazine\u00a0#02<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Entre anxi\u00e9t\u00e9 et espoir<\/strong><\/p>\n\n\n\n

deux aspects fondamentaux de la condition humaine.<\/p>\n\n\n\n

<\/div>\n\n\n\n

La revue num\u00e9rique trilingue – fran\u00e7ais, anglais, chinois – HAS – Humanities, Arts and Society- est disponible gratuitement depuis le 16 juin 2020 sur humanitiesartsandsociety.org<\/mark><\/a> <\/mark>.<\/p>\n\n\n\n

La publication HAS a pour but d\u2019explorer les questions les plus urgentes auxquelles nos soci\u00e9t\u00e9s sont confront\u00e9es aujourd\u2019hui, dans une perspective interdisciplinaire et en faisant appel \u00e0 la cr\u00e9ativit\u00e9.<\/p>\n\n\n\n

Le deuxi\u00e8me num\u00e9ro de HAS, Entre anxi\u00e9t\u00e9 et espoir aborde ces deux exp\u00e9riences intrins\u00e8ques \u00e0 la condition humaine, par le prisme de la litt\u00e9rature, de la musique, de la philosophie, de l\u2019histoire, de la psychologie, de la technologie, du cin\u00e9ma\u2026<\/p>\n\n\n\n

22 contributions d\u2019auteurs et d\u2019artistes issus de 11 disciplines sont pr\u00e9sent\u00e9es dans la revue.<\/p>\n\n\n\n

La revue HAS est cr\u00e9\u00e9e dans le cadre du projet global portant son nom Humanities Arts and Society: plateforme internationale d’artistes, de chercheurs, de penseurs et de projets cr\u00e9atifs d\u00e9montrant l’impact des arts et des sciences humaines dans la soci\u00e9t\u00e9.<\/p>\n\n\n\n

Cette revue est une nouvelle \u00e9tape de ce projet et du partenariat entre l’UNESCO-Most, le Conseil international de la philosophie et des sciences humaines (CIPSH), M\u00e9moire de l’Avenir, et la Global Chinese Arts & Culture Society (GCAC).
En cr\u00e9ant une revue qui d\u00e9passe les fronti\u00e8res classiques des sciences humaines, en ouvrant ses pages \u00e0 des r\u00e9flexions sur des enjeux complexes, urgents, et mondiaux, – \u00e9cologiques, sanitaires, politiques, sociaux, \u00e9conomiques, de genre \u2026 – HAS offre une plate-forme pour un changement positif dans la soci\u00e9t\u00e9, au niveau local et global.<\/p>\n\n\n\n

Le premier num\u00e9ro de la revue HAS pr\u00e9sente 32 contributions provenant d\u2019artistes, de scientifiques, d\u2019artisans, de philosophes, d\u2019\u00e9crivains, \u2026qui prennent de multiples formes artistiques, scientifiques ou litt\u00e9raires.<\/p>\n\n\n\n

humanitiesartsandsociety.org<\/p>\n\n\n\n

Instagram
<\/a>Facebook<\/a>
Twitter<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

#01<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n
Acc\u00e8s\u00a0\u00e0\u00a0la\u00a0revue\u00a0HAS#01<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
Access\u00a0to\u00a0HAS\u00a0magazine\u00a0#01<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

BIG DATA ET SINGULARIT\u00c9S :
La cr\u00e9ativit\u00e9 comme socle pour repenser la condition humaine.<\/strong><\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

LA REVUE HAS Espaces et lieux Deux dimensions de l’\u00eatre \u00c9ditorial Zolt\u00e1n Somhegyi et l\u2019\u00e9quipe de HAS L\u2019objectif de la revue HAS est de contribuer au d\u00e9veloppement des collaborations culturelles et multidisciplinaires – cruciales pour comprendre les probl\u00e8mes sociaux complexes et relever les d\u00e9fis qu\u2019ils posent. Ce cinqui\u00e8me num\u00e9ro de HAS Magazine interroge la relation […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-page-with-sidebar","meta":{"footnotes":""},"class_list":["post-692","page","type-page","status-publish","hentry"],"yoast_head":"\nLA REVUE HAS - M\u00e9moire de l'Avenir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA REVUE HAS - M\u00e9moire de l'Avenir\" \/>\n<meta property=\"og:description\" content=\"LA REVUE HAS Espaces et lieux Deux dimensions de l’\u00eatre \u00c9ditorial Zolt\u00e1n Somhegyi et l\u2019\u00e9quipe de HAS L\u2019objectif de la revue HAS est de contribuer au d\u00e9veloppement des collaborations culturelles et multidisciplinaires – cruciales pour comprendre les probl\u00e8mes sociaux complexes et relever les d\u00e9fis qu\u2019ils posent. Ce cinqui\u00e8me num\u00e9ro de HAS Magazine interroge la relation […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/\" \/>\n<meta property=\"og:site_name\" content=\"M\u00e9moire de l'Avenir\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-13T07:50:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/\",\"url\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/\",\"name\":\"LA REVUE HAS - M\u00e9moire de l'Avenir\",\"isPartOf\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg\",\"datePublished\":\"2024-02-05T04:47:37+00:00\",\"dateModified\":\"2025-08-13T07:50:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage\",\"url\":\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg\",\"contentUrl\":\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg\",\"width\":344,\"height\":441},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/preprod.gmindia.tech\/mda\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"LA REVUE HAS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#website\",\"url\":\"https:\/\/preprod.gmindia.tech\/mda\/\",\"name\":\"M\u00e9moire de l'Avenir\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/preprod.gmindia.tech\/mda\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#organization\",\"name\":\"M\u00e9moire de l'Avenir\",\"url\":\"https:\/\/preprod.gmindia.tech\/mda\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/01\/logo_20mda_2010202000.png\",\"contentUrl\":\"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/01\/logo_20mda_2010202000.png\",\"width\":123,\"height\":220,\"caption\":\"M\u00e9moire de l'Avenir\"},\"image\":{\"@id\":\"https:\/\/preprod.gmindia.tech\/mda\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"LA REVUE HAS - M\u00e9moire de l'Avenir","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/","og_locale":"fr_FR","og_type":"article","og_title":"LA REVUE HAS - M\u00e9moire de l'Avenir","og_description":"LA REVUE HAS Espaces et lieux Deux dimensions de l’\u00eatre \u00c9ditorial Zolt\u00e1n Somhegyi et l\u2019\u00e9quipe de HAS L\u2019objectif de la revue HAS est de contribuer au d\u00e9veloppement des collaborations culturelles et multidisciplinaires – cruciales pour comprendre les probl\u00e8mes sociaux complexes et relever les d\u00e9fis qu\u2019ils posent. Ce cinqui\u00e8me num\u00e9ro de HAS Magazine interroge la relation […]","og_url":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/","og_site_name":"M\u00e9moire de l'Avenir","article_modified_time":"2025-08-13T07:50:17+00:00","og_image":[{"url":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/","url":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/","name":"LA REVUE HAS - M\u00e9moire de l'Avenir","isPartOf":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/#website"},"primaryImageOfPage":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage"},"image":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage"},"thumbnailUrl":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg","datePublished":"2024-02-05T04:47:37+00:00","dateModified":"2025-08-13T07:50:17+00:00","breadcrumb":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#primaryimage","url":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg","contentUrl":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2025\/08\/Capture28.jpg","width":344,"height":441},{"@type":"BreadcrumbList","@id":"https:\/\/preprod.gmindia.tech\/mda\/hasmagazine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/preprod.gmindia.tech\/mda\/"},{"@type":"ListItem","position":2,"name":"LA REVUE HAS"}]},{"@type":"WebSite","@id":"https:\/\/preprod.gmindia.tech\/mda\/#website","url":"https:\/\/preprod.gmindia.tech\/mda\/","name":"M\u00e9moire de l'Avenir","description":"","publisher":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/preprod.gmindia.tech\/mda\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/preprod.gmindia.tech\/mda\/#organization","name":"M\u00e9moire de l'Avenir","url":"https:\/\/preprod.gmindia.tech\/mda\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/preprod.gmindia.tech\/mda\/#\/schema\/logo\/image\/","url":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/01\/logo_20mda_2010202000.png","contentUrl":"https:\/\/preprod.gmindia.tech\/mda\/wp-content\/uploads\/2024\/01\/logo_20mda_2010202000.png","width":123,"height":220,"caption":"M\u00e9moire de l'Avenir"},"image":{"@id":"https:\/\/preprod.gmindia.tech\/mda\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/pages\/692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/comments?post=692"}],"version-history":[{"count":146,"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/pages\/692\/revisions"}],"predecessor-version":[{"id":6666,"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/pages\/692\/revisions\/6666"}],"wp:attachment":[{"href":"https:\/\/preprod.gmindia.tech\/mda\/wp-json\/wp\/v2\/media?parent=692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}